Company «Комната 2.0 (Клименко М.Д.)»

The atmosphere is fantastic: from the very first minute you're whispering and sneaking so the Grandpa won't hear you. The puzzles are logical, the radio hints are on point, and there are plenty of locations. Actor Sasha is an absolute powerhouse, keeps the tension high but respects boundaries. We want to come back on hard mode.

Expected more. The environment is overstuffed with decor; tons of levers and buttons are just for show, and the things that were supposed to work sometimes didn’t. We spent half the game hiding while the game master manually opened doors; the safe didn’t open even with the correct code, and the finale didn’t really land. And where are the promised “animatronics” if everything is triggered by hand?... Expand

Booking for the escape room went smoothly, but on site everything went off the rails: we were asked to arrive early, yet ended up waiting almost half an hour while they prepped the location and let other groups start. The team behind the doors was arguing, the admin was also filling in as an actor, and he only checked on us a couple of times. We somehow skipped one of the rooms and were immediatel... Expand

The atmosphere was mind-blowing: the sound was crushing, the lights gave us chills, and the actor Kirill kept us on our toes right up to the finale. It was scary and fun at the same time; the puzzles were fair, though we took a couple of hints. A great choice for an evening with friends.

The quest didn’t work for us at all: we asked for more interaction with the actor, but in the end we were roughly dragged across the floor a couple of times. Most of the mechanisms didn’t work; we kept calling the admin, and the radio chatter never stopped — zero immersion.

We expected Minecraft but got a mishmash of tasks full of references. The female staff made ill-timed jokes, the intern kept mixing things up, the finale was accompanied by the lights being switched off, and random people were peeking into the quest area. The crafting recipes weren’t canonical, the immersion didn’t work, and we left disappointed.

Technically, the escape room was falling apart: mechanisms kept freezing, the admin spent up to 20 minutes at a time tinkering in the room, the radio crackled even without a call. One door opened at the wrong moment, and we were asked to “pretend that never happened.” Overall, a disappointing experience.

The quest hit hard: on ultra-hard mode the fear is real, and the actor applies so much psychological pressure you forget to breathe. We got caught once, after which we stopped giggling and rustling—we’d given consent to rough contact ourselves, but the emotions were brutal.

The escape room was a letdown: the set felt tired and a bit worn in places. Many of the mechanics ended up going unused; several times we were steered away from puzzles with lines like “you don’t need that” while they fixed things behind the scenes. It felt more geared toward little kids; we definitely won’t be coming back.

We wanted more interaction with the actor, but instead we got constant walkie-talkie chatter and malfunctioning mechanisms. The doors kept sticking, we had to call the host to fix things, and the immersion fell apart.